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Bartók forever

D. Scarlatti - Sonata D Major K. 345

Bartók forever

5:57	Est. Play Time
120	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		21	9	5	3	100%
		26	18	6	3	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		21	9	5	3	100%
		26	18	6	3	96%

Scherzo

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0:30	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	10	2	3	100%
		7	9	2	3	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	10	2	3	100%
		7	9	2	3	95%

Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes

Bartók forever

5:27	Est. Play Time
159	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)		15	0	5	5	97%
Tenor (C-Schlüssel)		17	0	5	5	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)		15	0	5	5	97%
Tenor (C-Schlüssel)		17	0	5	5	97%
Alt (C-Schlüssel)		14	0	3	5	97%
Bass		14	3	4	5	76%
Klavier		10	8	3	1	5%
		5	2	0	1	4%

Mariä Wiegenlied Op. 76 No. 52

Bartók forever

1:38	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	47	11	6	100%
		23	5	4	4	100%
Voice		12	0	4	6	81%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	47	11	6	100%
		23	5	4	4	100%
Voice		12	0	4	6	81%

Praeludium und Fuge über den Namen B A C H BWV 898

Bartók forever

4:18	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	21	11	8	97%
		30	7	12	10	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	21	11	8	97%
		30	7	12	10	89%

A Hornepype (shortened)

Bartók forever

3:19	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

Pavane. The Earle of Salisbury

Bartók forever

1:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		14	3	3	8	97%
		14	2	3	17	97%
		18	7	2	6	89%
		18	7	2	7	89%

Praeludium

Bartók forever

0:53	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	9	4	6	100%
		19	8	5	7	100%
Execution		19	19	2	6	67%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	8	3	4	100%
		18	0	4	2	100%
Sopran		16	0	5	4	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	8	3	4	100%
		18	0	4	2	100%
Sopran		16	0	5	4	71%

D. Scarlatti - Sonata A Major K. 323

Bartók forever

3:15	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		15	9	3	3	100%
		18	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		15	9	3	3	100%
		18	0	2	3	100%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

Wandrers Nachtlied II D 768 (1822)

Bartók forever

1:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		7	5	0	5	63%
		20	18	5	5	100%
Voice		9	0	1	6	79%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		16	5	3	6	100%
		22	0	7	4	100%
Oboe		9	0	1	6	50%

Rondeau

Bartók forever

0:45	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		18	7	4	7	100%
		18	10	3	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		18	7	4	7	100%
		18	10	3	6	92%

Choral hypocrite

Bartók forever

0:53	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine		12	13	0	4	100%
Klavier		23	25	5	4	94%
		10	9	1	3	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine		12	13	0	4	100%
Klavier		23	25	5	4	94%
		10	9	1	3	71%

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